Vergara’s work came to my attention while reading Mark Binelli’s 2012 book Detroit City is the Place to Be, which I plan to review here soon (in short: it’s excellent). Binelli treats the topic of ruin pornography while discussing the migration of artists, journalists, and everyday bohemians to depression-struck Detroit, where they derive inspiration and material from the ruins of the city. Hanging around Cleveland, I’m already familiar with the ruin porn trend. And during my travels around the state, I have found myself taking my own pictures of decline, like this series of photographs, three from a half-demolished acme plant in Toledo and another two from downtown Youngstown. When facing sights such as these, embodying an utterly oxymoronic grand destitution, it is hard to resist the compulsion to capture that contradiction. One crumbling building can speak simultaneously to past, present, and future. Continue reading
I recently discovered the photography of Camilo Jose Vergara, who has been documenting the transformation of American cities – especially those in decline – for decades. His work is not voyeuristic like “ruin porn.” It is contemplative and sincere. In the rust belt, he has focused on Gary, Chicago, and Detroit. His other work spans the country, and I especially enjoyed his photographs from Old New York. His website has a great interface and I highly recommend browsing through it.